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However, she was much more influenced by other French artists

RARE 1982 Replica Of Original 1905 Bessie Potter Vonnoh

Very Rare 1982 Sculpture by Bessie Onahotema Potter Vonnoh (1872 1955), Sculptor.

On OCT. (Quote copied from Sotheby Sold Listing).

“Motherhood” By Bessie Potter Vonnoh. This designer resin replica of the original bronze sculpture was inspired KnockOff Handbags by the original in the Chicago Institute of Art permanent collection. It was sculpted Fake Designer Bags by Alva Museum Replicas from the Chicago Museum of Art and is marked “82 ALVA” and “Bessie Potter Vonnoh” (photo7). The original sculpture was molded in 1896 and was cast in bronze in 1905 by Roman Bronze Works in New York.

This elegant sculpture depicts two children standing in front of their mother who is holding her baby. There is some missing finish due to age and previous use. Otherwise this piece is in excellent condition.

“Motherhood” is 16 3/4″ tall and weighs approximately 11 Designer Replica Bags lbs.

Shipping weight is 15 lbs.

CONDITION: Glaze flaking due to age. Chip on right side of base.

DIMENSIONS: 7″ W x 18″ H x 8″ D

Additional photos available on request.

GUARANTEED TO BE AS PICTURED AND DESCRIBED.

Born in St. Louis, Bessie Potter Vonnah seemed instinctively a sculptor from her earliest childhood. Her principle teacher was the famed American sculptor Laredo Taft, with whom she studied at the School of the Art Institute of Chicago. Vonnoh became one of the so called “White Rabbits”, women artists who assisted Replica Bags Wholesale Taft on the sculpture program replica Purse for the Horticultural Building at the 1893 World Columbian Exposition in Chicago. She also produced an independent commission, the Personification of Art, for the Illinois State Building of the exposition.

At age 19, Potter was already exhibiting and selling her work Replica Bags in various Chicago art shows, and at 22, she opened her first studio. Using her female friends as models, she received much attention for her small portrait statuettes called Potterines. Potter moved on to display her work with the New York Society of America Artists. She traveled to France making a pilgrimage to Rodin studio. However, she was much more influenced by other French artists working at the time who had looser styles and used everyday life as subject matter. Growing tired of society driven commissions, Potter handbagsmerchant focused more on sculptures of small groups and women with children. Contrary to the turn to larger, more monumental sculpture in the 1920 30 Potter chose to sculpt on a smaller scale. Her style matured and was well received both publicly and critically. In 1899, she married the American Impressionist painter Robert Vonnah and settled in New York City. Potter was distinguished by becoming the 1st permanent woman sculptor member of the National Academy of Design. In a subtle Impressionistic manner, Bessie Potter Vonnah truly replica handbags online captured the essence intimacy of her feminine subjects.

Very Rare 1982 Sculpture by Bessie Onahotema Potter Vonnoh (1872 1955), Sculptor.

On OCT. (Quote copied from Sotheby Sold Listing).

“Motherhood” By Bessie Potter Vonnoh. This designer resin replica of the original bronze sculpture was inspired by the original in the Chicago Institute of Art permanent collection. It was sculpted by Alva Museum Replicas from the Chicago Museum of Art and is marked “82 ALVA” and “Bessie Potter Vonnoh” (photo7). The original sculpture high quality replica handbags was molded in 1896 and was cast in bronze in 1905 by Roman Bronze Wholesale Replica Bags Works in New York.

This elegant sculpture depicts two children purse replica handbags standing in front of their mother who is holding her baby. There is some missing finish due to age and previous use. Otherwise this piece is in excellent condition.

“Motherhood” is 16 3/4″ tall and weighs approximately 11 lbs.

Shipping weight is 15 lbs.

CONDITION: Glaze flaking due to age. Chip on right side of base.

DIMENSIONS: 7″ W x 18″ H x Designer Fake Bags 8″ D

Additional photos available on request.

GUARANTEED TO BE AS PICTURED AND DESCRIBED.

Born in St. Louis, Bessie Potter Vonnah seemed instinctively a sculptor from her earliest childhood. Her principle teacher was the famed American sculptor Laredo Taft, with whom she studied at the School of the Art Institute of Chicago. Vonnoh became one of the so called “White Rabbits”, women artists who assisted Taft on the sculpture program for the Horticultural Building at the 1893 World Columbian Exposition in Chicago. She also produced an independent commission, the Personification of Art, for the Illinois State Building of the exposition.

At age 19, Potter was already exhibiting and selling her work in various Chicago art shows, and at 22, she opened her first studio. Using her female friends as models, she received much attention for her small portrait statuettes called Potterines. Potter moved on to display her work with the New York Replica Designer Handbags Society of America Artists. She traveled to France making a pilgrimage to Rodin wholesale replica designer handbags studio. However, she was much more influenced by other French artists working at Replica Handbags the time who had looser styles and used everyday life as subject matter. Growing tired of society driven commissions, Potter focused more on sculptures of small groups and women with children. Contrary to the turn to larger, more monumental sculpture in the 1920 30 Potter chose to sculpt on a smaller scale. Her style matured and was well received both publicly and critically. In 1899, she married the American Impressionist painter Robert Vonnah and Fake Handbags settled in New York City. Potter was distinguished by becoming the 1st permanent woman sculptor member of the National Academy of Design. In a subtle Impressionistic manner, Bessie Potter Vonnah truly captured the essence intimacy of her feminine subjects.

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